The threshold was not a border, but an invitation.

This work depicts a transitional space, an architectural threshold where the interior and exterior overlap until their contours are lost. A monumental arch opens onto an almost white light, absorbing the human silhouettes that pass through it, while the city, fragmented into layers of colors and textures, persists on either side. The chromatic treatment transforms the scene into an immersive composition, where cafés, trees, and facades seem to exist simultaneously in multiple temporalities. Architectural lines, reflections, and transparencies blur the reading of the place, inviting the gaze to circulate slowly, as if in a mental rather than a physical space. This photograph questions the notion of passage, waiting, and invisible thresholds in the contemporary city. It evokes those places we pass through without paying attention, yet which contain a strong emotional charge. Aimed at lovers of contemporary art and narrative photography, this work offers a contemplative experience, between presence and erasure, where the city becomes the discreet theater of our own transitions.